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Yet the film ties it in with a backstory that frames the action, about Louise and the daughter who (in an extended prologue) she watched grow into adulthood and die.There’s a surprise circularity to the structure of “Arrival” that some may find pleasing, but there’s also a circular logic to it: The aliens have come to offer a weapon, which isn’t really a weapon, it’s a new way to order time, but the only one it seems to apply to is Louise, which makes the whole purpose of their visit seem an awfully far-fetched conceit.He then plays a recording of the attempt that has been made so far to communicate with the aliens, who respond with what sound like the voices of whales. The aliens have parked spaceships in 12 locations around the world (including America, Russia, China, and Pakistan), and Louise is taken to the one in the United States: a vast green meadow in Montana, surrounded by hills and rolling clouds, where the ship hovers like a silent, mile-high version of a smooth obsidian egg that’s been cut in two.The images are stately and vast, with an almost super-earthly clarity.Instead, it does two things that are less than that.

The audience’s reaction to this is likely to fall somehow on the spectrum between “Whoa! ” In “Arrival,” it’s a muddled idea, intriguing but not really developed.It has been almost 40 years since Steven Spielberg made “Close Encounters of the Third Kind.” That’s not a Spielberg film that people tend to revisit the way they do “Jaws” or “Raiders” or “E.T.” In its time, though, “Close Encounters” cast a spell of majestic awe that still reverberates through pop culture.” All this time, there’s a relatively conventional brink-of-war drama transpiring in the background, ratcheted up by Internet paranoia and a Rush Limbaugh-like figure barking away on You Tube.Given that the whole global-military thing has been at the forefront of virtually every alien-invasion thriller, you’re grateful that it in the background.

The audience’s reaction to this is likely to fall somehow on the spectrum between “Whoa! ” In “Arrival,” it’s a muddled idea, intriguing but not really developed.It has been almost 40 years since Steven Spielberg made “Close Encounters of the Third Kind.” That’s not a Spielberg film that people tend to revisit the way they do “Jaws” or “Raiders” or “E.T.” In its time, though, “Close Encounters” cast a spell of majestic awe that still reverberates through pop culture.” All this time, there’s a relatively conventional brink-of-war drama transpiring in the background, ratcheted up by Internet paranoia and a Rush Limbaugh-like figure barking away on You Tube.Given that the whole global-military thing has been at the forefront of virtually every alien-invasion thriller, you’re grateful that it in the background.The second wayward idea is that the alien language — all of those circle words — turns out to be their great gift to earth.